![]() That level of complexity just can’t happen, but that is what would be ideal. An excellent children’s choir, an excellent high school women’s choir, and a collegiate women’s choir), with solo parts recorded by exemplar voices at each level for each part, so that “music minus 1” audio samples could be used at all levels for all students. What ends up happening, then, is a quagmire where to fully represent a song, you might need several recordings attached to it (e.g. While I don’t want to insult anyone, you generally don’t want your choirs to sing like sound sampler choirs, either, which tend to be adults singing with a bit of a “pop” sound. Olaf Choir (as beautifully as they sing) or like a particular opera singer, as their voices generally have not developed enough to emulate those sounds. ![]() In vocal music, you probably don’t want your young choir sounding like the St. If you hear a professional recording of Holst’s 1st Suite, that is how you want your young players to sound, too. In the instrumental world, you want every player to aspire to the sound of a professional player. The use of an accompaniment is a tricky matter for singers and choirs. I would prefer the choice to hear either a synthesized accompaniment or the recorded accompaniment. I have sent my feedback already, but I would prefer to be able to choose what parts I heard as I or my students sang an assignment/assessment. The difference between my own files and these new choral files is that each song is linked to an audio recording (think of the audio sampler recordings sent out by the publishers), and although you can add “your part” as a synthesized overlay, all parts of the audio tracks exist at all times when you work with the music. What I learned, making my own SmartMusic files, was to give every part its own line (this can be tricky with mid-measure divisi in parts), and to very carefully decide what measures I wanted to assess (you can do this with the educator’s version of SmartMusic with a full score). I have only worked with a few titles so far, and had already been making my own SmartMusic choral files for some time. This is considered a “beta” effort by SmartMusic, and when you try the literature, they ask for your feedback. There are fifty selections in various voicings. In the midst of a very big week (the acquisition of Weezic), SmartMusic has now added a number of choral titles to the SmartMusic Library.
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